May 18, 2016

Chapter 8: The Middle of the East

Activities for this chapter:

  • What is the most important thing to remember about Islamic art?  Why is calligraphy so important in Islamic art?
Imagine having to write without vowels, wld y stll b bl t rd wht y wrt? This is what Hebrew and Arabic (and a few other scripts) do. You have to know the language already before you can read it. Reading in these languages is recognising the text, rather than reading it. In the old days, we’re talking 7th century here, the Arabic script was even more defective. Imagine the letters for b, t, th, n and y being exactly the same as well as the letters for s and z, v and w, b and p, g and k or ng. The starting sentence of this post would look something like this: 
Mgb hvg b vrb vbb vvls, vld b sbll b bl b rd vhb b verb?
The author concludes that this "defect" facilitates beautiful calligraphy, here are some other theories on why Arabic is difficult to read and speak: http://www.slate.com/articles/arts/culturebox/2005/06/im_trying_to_learn_arabic.htmlhttps://www.sciencedaily.com/releases/2011/05/110518080109.htm.
If it is true that in reading Arabic one is recognizing words rather than reading them--does this change the way one relates to the text?  Kufic squares and other forms of Arabic calligraphy can be so abstracted that usually only simple and very recognizable words are used to make them, otherwise even native speakers of Arabic might not be able to read them.  eL Seed mentions that he wants viewers to understand his calligraphy without necessarily reading it.  Does transcending from the textual meaning of a calligraphic artwork help to express religious transcendence?  What other cultures use calligraphy to express transcendence?
    • watch some videos on Arabic calligraphy art by eL Seed:





    • reed pens or quills (qalam in Arabic) were the most common writing implement in antiquity, feather quills came after (https://en.wikipedia.org/wiki/Reed_pen),  here is a video on how to make a one:

    reed pens can also be made out of a plastic straw or metal cut from a can:



    reed pens can be also used to make Blackletter Gothic script:

    here is an easy tutorial on Blackletter Gothic script: https://calligraphypen.wordpress.com/tag/blackletter/, and a few other ones: https://design.tutsplus.com/articles/mastering-calligraphy-how-to-write-in-gothic-script--vector-25929http://www.calligraphy-skills.com/how-to-write-calligraphy.htmlhttp://www.dancingpencalligraphy.com/howto/BlackletterLesson.html 
    • we will be using highlighters--cheapest calligraphic markers you can buy! practice holding the markers and making straight lines, circles, checkerboard, and diamond shapes  (http://imgur.com/gallery/FIqUP):

    different styles of kufic (http://www.sakkal.com/ArtArabicCalligraphy.html):
    cursive styles:


    we can also translate words or phrases into Arabic and practice writing them: http://www.firdaous.org/arabic-english-free-translator-translation-phonetics.htm



    (this could make a lovely thank you card!) (http://www.dighub.net/image/a-kufi-square-(kufic-murabba-)-arabic-calligraphy-version-of-an-arabic-greeting-translated-as-thank-you-very-much--95849074.html?a=s):
    using an isometric grid (http://customgraph.com/piart.php?art=590) create a three dimensional effect with the kufic square, and add geometric decoration as in this example (https://kufilutfi.wordpress.com/2010/08/01/kufi-allah-muhammad/):
    (by the way, here are some other fun things you can do with isometric graph paper)


    the words "thank you" in English in a kufic-inspired script (from https://kufilutfi.wordpress.com/2010/01/14/thank-you/):
    the English alphabet inspired by Eastern Kufic (https://www.pinterest.com/pin/501166264767597297/):

    What we did

    our arabic calligraphy practice:





    the show-and-tells, a haiku poem:


    millefiori beads:


    and homemade baklava with instructional video:





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